The 21st Precinct, also known as Twenty-First Precinct, was a police drama aired on CBS radio from July 7, 1953, to July 26, 1956, initially serving as a summer replacement for My Friend Irma. The show was produced in collaboration with the Patrolmen's Benevolent Association of the City of New York and was distinctive for its storytelling, presenting adaptations derived from true criminal records in New York from the perspective of police officers.
Although historically the 21st Precinct was situated near Gramercy Park in Manhattan, the precinct was reorganized in 1929, and the 21st designation was eliminated. Consequently, during the show's airing, no actual precinct by that number existed; nevertheless, its fictional territory closely resembled that of the Upper East Side's 23rd Precinct.
Stanley Niss took on roles as producer, writer, and director for the series. Captain Frank Kennelly was portrayed by Everett Sloane in the first 109 episodes and briefly returned in episode 135 after being promoted to Deputy Inspector and reassigned from the precinct. He was succeeded by Captain Cronin, played by James Gregory from 1955 to 1956, and later by Captain Keough, portrayed by Les Damon in 1956.
Other notable cast members included Ken Lynch as Lieutenant Matt King, Harold Stone as Sergeant Waters, Jack Orrison as Sergeant Collins, and Santos Ortega as Lieutenant Gorman. Each episode commenced with an announcer stating, "21st Precinct. It's just lines on a map of the city of New York," emphasizing the precinct’s role in ensuring the safety and security of the 173,000 residents within its jurisdiction. This was followed by Captain Kennelly introducing himself and his command, summarizing the composition and authority of the precinct's personnel, which included 160 patrolmen, 11 sergeants, and four lieutenants. The program’s announcers featured Art Hannes, Bob Hill, and Hugh Holder.
The series "21st Precinct" was produced by John Ives, with Stanley Niss typically handling direction and writing, although some sources mention Niss as the producer. Norman Frank served as the program supervisor. A review in Variety praised "21st Precinct" as "an exciting show," highlighting its resemblance to "Dragnet" in the authentic presentation of police procedures and the use of the standard curtain-line explanation that "names have been changed to protect the innocent." However, the review noted that "21st Precinct" provided deeper insights into the daily routine of a police captain, portraying the character in a manner that rendered him more relatable and human than in "Dragnet."






No comments:
Post a Comment